BFI Flare: London LGBT Film Festival has launched its 30th anniversary programme, a major landmark for one of the world’s longest running LGBT film events. BFI Flare opens on 16th March with the World Premiere of Ben A. Williams’ The Pass at Odeon Leicester Square and closes with Catherine Corsini’s Summertime at BFI Southbank. Celebrating 10 years of support, Principal Sponsor Accenture’s Gala will be the European Premiere of Neil Armfield’s Holding the Man. BFI Flare will present over 50 features, more than 100 shorts and a wide range of special events, guest appearances, discussions, workshops, club nights and more. Tickets go on sale via www.bfi.org.uk/flare today for BFI members and 29thFebruary for non-members.
One of the most significant film events in the world’s LGBT calendar BFI Flare 2016 will be divided into 3 sections Hearts, Minds and Bodies with key themes emerging including British film and new British talent, transgender representation and Queer Science and new technology:
- LGBT content in British film and new British talent: BFI Flare presents three distinct and impressive new UK feature film productions with the World Premiere of Opening Night Gala, Ben A. Williams’ The Pass, Barak and Tomer Heymann’s Who’s Gonna Love Me Now? and The Departure (dir. Andrew Stegall), with the latter two BFI Film Fund supported. The Festival also screens British co-director Fenton Bailey’s Mapplethorpe: Look at the Pictures (co-directed with Randy Barbato) and launches the second year of BFI Flare LGBT Filmmakers’ Mentorship (in partnership with BAFTA and Creative Skillset) to support new UK film talent.
- Transgender representation on screen: following a year in which transgender visibility broke through to the mainstream, BFI Flare explores representation in the media with Meet Silasan onstage event with Silas Howard, the first transgender director on Amazon’s Emmy and Golden Globe winning Transparent. Through a new series of events Transform, BFI Flare will also bring together actors, filmmakers and casting directors to probe current practice in fiction and non-fiction film and TV and hosts a trans acting workshop at BFI Southbank.
- Queer Science and new technology: while BFI Flare looks back at 30 years at the forefront of LGBT cinema in the UK, it also provides a vision into the future with an exhibition at BFI Southbank Year Dot: Queer Film + Technology since 1986; an event that explores the intersections of sexual identity, science and technology withQueer’d Science: BFI Flare Sci-Tech Lab and launches a new partnership with Crossover Labs on XO LGBTQ, an intensive training programme designed to counter the lack of visibility for LGBTQ issues in the interactive media and games industries.
BFI FLARE 2016 FULL PROGRAMME
Marking the occasion of the 30th anniversary of BFI Flare: London LGBT Film Festival, they celebrate with a truly exceptional programme of the year’s best contemporary global LGBT features and short films, talks and events and archive screenings. As previously announced, the Festival opens on Wednesday 16 March at London’s Odeon Leicester Square with the World Premiere of The Pass dir. Ben A. Williams starring Russell Tovey, Arinze Kene, Lisa McGrills and Nico Mirallegro, with cast members in attendance. This powerful drama focuses on the lives of two young Premier League footballers on three momentous nights over ten years, and is produced by Duncan Kenworthy (Four Weddings and a Funeral, Love Actually).
They host the Festival Closing Gala on Saturday 26 March at BFI Southbank with Summertime [La Belle Saison] dir. Catherine Corsini, a passionate story starring Cecile de France, Izïa Higelin and Noemie Lvovsky which follows two very different women who fall in love against the backdrop of 1970s feminist street protests in Paris.
With BFI Flare Principal Sponsor Accenture celebrating a remarkable 10 years of support for the Festival, we proudly present as the Accenture Gala, the European Premiere of Australian hit Holding the Man, dir. Neil Armfield. A moving and tender film memoir it recounts 20 years in the life of Tony Conigrave; Ryan Corr and Craig Stott excel as the lovers, supported by an exceptional cast which includes Anthony LaPaglia, Guy Pearce, Geoffrey Rush, and Kerry Fox.
As a special feature in the anniversary programme, screenings will continue on the day after our Closing Gala (Easter Sunday 27 March) with a Second Chance Sunday devoted to 2016 Festival best-sellers and a selection of LGBT archive gems from the Festivals’ history. Every ticket on Second Chance Sunday will be offered at the discounted price of £8. As a highlight of the day we will show the film that tops a brand new critics’ and programmers’ poll of the top 10 global LGBT films of the last 30 years. The result of this BFI poll and all the films screening on Second Chance Sunday will be announced soon.
A rich and full 30th Festival main programme screens at the cinemas of BFI Southbank between 17 – 27 March with Special Presentations including Mapplethorpe: Look at the Pictures, an in-depth and uncompromising portrait of the life and work of the legendary photographer Robert Mapplethorpe by award-winning World of Wonder duo Fenton Bailey and Randy Barbato (RuPaul’s Drag Race, Inside Deep Throat); Rebel Dykes, a work-in-progress screening event of Harri Shanahan and Sian Williams’ documentary which explores the forgotten ‘herstory’ of lesbian punk London in the 1980s. Festival alumni Jacques Martineau and Olivier Ducastel (Jeanne and the Perfect Guy, Drôle de Félix) join us following their world premiere in Berlinale, with Theo & Hugo, a finely crafted and provocative drama.
With transgender issues having been major International news in 2015, the Festival will also shine a spotlight on representation in Transform, a series of events on trans acting on screen. We also welcome Silas Howard, the first trans director on Emmy and Golden Globe-winning Transparent who joins us to talk about his work which ranges from pioneering 2001 trans featureBy Hook or By Crook to music videos for Peaches, and of course Transparent.
With over 50 features and more than 100 shorts, other highlights include two new British features backed by the BFI Film Fund, Andrew Stegall’s The Departure, a touching debut about a mother and son struggling with their relationship starring Juliet Stephenson (Truly, Madly, Deeply) and Alex Lawther (The Imitation Game), and also Barak and Tomer Heymann’s Who’s Gonna Love Me Now? fresh from Berlin International Film Festival, which sees an HIV positive Israeli finding an adoptive second family in London as a member of London Gay Men’s Chorus.
A one-off Sing-A-Long, dress-up Calamity Jane at the BFI IMAX will celebrate everyone’s favourite cowboy/girl Doris Day with this dazzling new digital restoration presented on the biggest screen in Britain.
As part of their expanded commitment to supporting filmmakers and the industry, BFI Flare work with Crossover Labs in Sheffield to feature XO LGBTQ Pitch a live event where LGBT creative media professionals live pitch ideas for new interactive and games projects with LGBTQ content to commissioners. In addition, industry delegates will have access to a range of special talks and events. They also present the second in-take of their talent development project, BFI Flare LGBT Filmmakers’ Mentorship Programme, delivered by BAFTA with funding from Creative Skillset which helps talented LGBT identified filmmakers build professional skills and networks. LGBT film gets an International spotlight with the return of fiveFilm4freedom. This ground-breaking project developed in association with the British Council sees five LGBT short films from BFI Flare available online for free throughout the Festival. With last year’s films seen in more than 130 countries worldwide, this is a truly global project. Join the conversation at #fiveFilms4freedom with campaign focussed on Thursday 17 March when we encourage the world to watch an LGBT short film in recognition that ‘Love is a Human Right’.
The festival is divided into three sections: Hearts, Bodies and Minds.
HEARTS includes films about love, romance and friendship. Features include the winner of the Golden Lion at last year’s Venice Film Festival, From Afar dir. Lorenzo Vigas, a compelling tale of a middle-aged man in Caracas and his varied encounters with a dangerous young men; Mika Kaurismäki’s 17th century lesbian costume drama The Girl King, set at the court of Queen Christina; and Naz and Maalik dir. Jay Dockendorf, a tale of two young gay Muslims in contemporary New York. The search for identity that is the perennial tale of coming out and coming of age is reinvented for the current generation in films such as Akron dirs. Brian O’Donnell and Sasha King, where student lovers in Ohio are almost torn apart by unsuspected shared history; Michal Vinik’s Barash an Israeli girl-meets-girl, teen drama, and Natalia Leite’s Bare a US story of Nebraska girls out for fun starring Glee’s Dianna Argon and Paz de la Huerta. From Mexico, I Promise You Anarchy dir. Julio Hernández Cordón offers a portrait of skater-boys seduced by the promise of the rewards of crime.
BODIES features stories of sex, identity and transformation. This richly diverse selection of films includes Rigoberto Perezcano’s Carmin Tropical a murder mystery set in the world of Mexican trans nightclubs, a disturbing German narrative of a hotel-worker who becomes a fetish sex-worker in The Chambermaid Lynne dir Ingo Haeb, while Laura Bispuri’s Sworn Virgin, starring Alba Rohrwacher, gradually reveals the story of an Albanian whose transition to living as a man involves complex cultural traditions.
The World Premiere of Real Boy dir Shaleece Haas is cause for excitement; this moving and breathtakingly honest, coming-of-age documentary features Bennett Wallace, a 19 year old trans musician searching for the acceptance of his family.
Some other fascinating documentaries explore different aspects of sex: Femme Brutal is a celebration of a queer-feminist artists’ group who use burlesque as a way of focusing on women’s desire for the female body; Seed Money: The Chuck Holmes Story dir. Michael Stabile is an account of an important 1970s gay pornographer, the creator of the influential Falcon Studios; Raúl de la Morena and Antonio Centeno’s Yes We Fuck is an uncompromising account from Spain of how disabled people are determined to explore their sexualities.
MINDS features reflections on art, politics and community. We celebrate iconic London pop artist, Duggie Fields with a series of ultra-rare screenings of his own work and films in which he’s featured. Yvonne Rainer: Facts are Feelings dir. Jack Walsh offers documentary portrait of the radical dance legend, while Gillian Armstrong’s lavishly illustrated documentary on the legendary costume-designer Orry-Kelly, Women He’s Undressed has a starry cast to discuss the genius of his costumes including Jane Fonda, Angela Lansbury and Ann Roth. Barbara Hammer’s artistic take on poet Elizabeth Bishop, Welcome to the House examines the literary, lesbian life with her usual flair. We mark the centenary of the death of Roger Casement (executed for treason in 1916), with a screening of a rare 1960 television play The Trial of Sir Roger Casement, plus a talk by Casement’s biographer, gay activist Jeff Dudgeon.
In part of our programme of archive screenings celebrating highlights of 30 years of the Festival, they are delighted that Donna Deitch is travelling to London for a rare 35mm screening of her seminal and much adored work Desert Hearts, which was the only lesbian film that screened in our original 1986 edition.
Yet they also aim to look ahead at where queer cinema and media is heading in the near and distant future. The Atrium at BFI Southbank will feature gallery exhibition, Year Dot: Queer Film + Technology since 1986, exploring the intersection of queer lives and technology from Sadie Benning’s Fisher Price camera experiments to Tangerine shot on an iPhone while the Queer’d Science – BFI Flare Sci-Tech Lab will probe the interactions between queer bodies and culture, and science and technology over the last 30 years.
While films and film cultural are at the heart of what they do, the atmosphere at BFI Southbank brings people from far and wide. This year they return with the hugely popular BFI Flare Club Nights (Fri 18, Sat 19, Thu 24, Fri 25 and Sat 26) at Benugo Lounge and Riverfront with their favourite DJs and newfound friends including Pitch Slap!, Sadie Lee and Jonathan Kemp, Pink Glove, Club Kali, and for Closing Night Bad Bitches and Unskinny Bop.